Zahra Berehi Asal
The semantic field is a door from the doors of semantics and a term that refers to a group of words whose meanings are related and share the general meaning; for example, the term "color" in Arabic includes a group of words such as: white, black, red, and all other colors. Among the poets who were interested in semantic fields in their poetry is the Emirati poet Mane' Saeed Al-Otaiba, and in this study we will address the monitoring of semantic fields in his poetry.
Our study has concluded that the theory of semantic fields enables us to reach the poetic dictionary of the poet, and through this theory, the words have been classified for each paragraph, and we find that he does not neglect the aesthetic aspect of the text, as he uses various words and their abundance using prominent rhetorical and linguistic methods such as metaphors, similes, synonyms, and antonyms.
When dealing with the poems semantically, we find that the poetic image of Al-Otaiba was characterized by the skillful use of words close to the reader's mind, and precise in expressing the poet's psychological state, as if he wanted his poetry to be easy and distinctive. Al-Otaiba's poems were mostly based on organic unity, so they appeared cohesive and not fragmented verses that are replaced and transferred without affecting the meaning or distorting the intent.
The study was concerned with researching the semantic fields in the poetry of Mane' Saeed Al-Otaiba through the " Amir al-Hob" collection. The most important of these semantic fields are: the semantic field of nature, the semantic field of love and war, the semantic field of separation, the semantic field of sadness. The semantic relationships between the words of synonyms, antonyms, and expressions were identified.
The aim of this research is to identify the semantic fields in the " Amir al-Hob" collection. In our study, we relied on the descriptive-analytical approach and we surveyed the verses that indicate the semantic fie
