Over the years, the existence of differences between the rights of women and men in all human societies gradually led to uprisings and discussions about these differences and the reasons for this inequality of rights, and after a while, its footprints gradually appeared in literature, to the point that today it has become a popular school called feminism all over the world. In Iran, like in other countries, feminist tendencies began to emerge after the Constitutional Revolution and influenced Iranian writers. The eight-year period of Sacred Defense is one of the sensitive historical periods in Iran that is considered a suitable context for attention from the perspective of feminism. Several writers have also written about the events and prominent figures of this period; including Masoumeh Abad and Behnaz Zarabizadeh. Zarabizadeh, by addressing the life of a woman named Ghadamkhair Mohammadi Kanaan, the wife of the martyred general Haj Sattar Ebrahimi Hejir, in the collection "Dukhtar Sheena" and Masoumeh Abad, by writing her memoirs of her four-year captivity in Iraqi prisons and camps in a collection called "I Am Alive," have created works in the field of sustainable literature and have paid special attention to the role of women during the imposed war. The present study aims to examine the image of women in the collections "I Am Alive" and "Dukhtar Sheena" with a feminist approach and a descriptive-analytical method based on library studies. The findings of the research indicate that in these two collections, despite the appearance of the components of a patriarchal society, the dominant discourse has a feminist approach and women are shown as examples of patience, sacrifice, resistance, veiling, religiosity, unity, simplicity, love, and loyalty. In these works, women have shown that the limitations attributed to them due to gender cannot be an obstacle to achieving their goals and that they are also able to defend the homeland alongside men on the front lines of