The Arabic language has always been distinguished by its elegance, graphic structure, and regular linguistic controls, Which makes Arabic poetry surpass its peers, sends messages between souls more, and its impact is stronger and its impact is more complete, and poetry in another language does not match it. The poetic language is the main pillar of poetry, it glows with semantic radiation, and it gives the poet an opportunity to depict reality in a creative and individual way. Between her covers his emotional emotions and his own experiences. Nasser Al-Badri is one of the poets whose skill appeared in their choice of words and the employment of the most beautiful and appropriate ones in their place, which made his poetry laden with sublime meanings and special connotations.
This research, according to the descriptive-analytical approach, seeks to reveal the aesthetic positions of the poetic language in the collection of " la mae fi Al-nahr " by Nasser Al-Badri. Referring to conceptual metaphor, figurative irony, collocation, repetition, and synthetic displacement. The poet, through conceptual metaphors, has conveyed the extortionist concepts and his bitter experiences in a container that allowed us to perceive them physically and tangibly. The pictorial paradox contributed to drawing the contradictory Arab reality with all its sorrow, through the intellectual structure hidden behind the words. Al-Badri used the coincidence of words with each other as a scarf to embellish his words and give them strength and influence. Through repetition, the poet mentioned the concepts that he wanted to shed light on and establish in the minds. The compositional shifts in their various forms simulated the poet's rejection and his departure from politics and the social reality that surrounds him.