Abstract
Purpose and Introduction: This study seeks to emphasize the critical aspects represented by photography techniques and their dramatic elements, so generating a sense of movement and structure within the narrative text, either through evocative imagery or by establishing a framework defined by narrative discourse. It seeks to emphasize the degree of the sender's engagement with the elements of the photograph and its narrative conventions, while also crafting a dramatic event by illustrating the atmosphere surrounding the novel's principal characters, integrated with written text. It seeks to discern specific aspects of the narrative text, including the proximity and distance of objects at the frame's corners, the representation of horizon lines in mountainous and desert landscapes, and the inclusion and approximation of elements to convey spatial depth in the images. Visual arts encompass the creation of significant artistic works for the audience. Critics and experts in each discipline thereafter assess them according to their operational efficacy and the significant notions they provide to the recipient. They employ visual language that evokes ideas, symbols, and occasionally intricate, profound meanings, aiming to immortalize certain historical events, as well as literary, social, political, and related issues. A solitary artwork might convey a subject challenging to elucidate through written or verbal communication. This illustrates the artist's adept understanding of visual techniques that align with the viewer's perception. The primary visual arts associated with narrative literature include painting, theater, cinema, and particularly, photography. Photographs are regarded as a crucial component of contemporary visual language, as artists utilize them to express emotions and convey information as indicators. These images can significantly unite diverse individuals and communities, as they embody a universally recognized visual language across all segments of hu
