Rasoul Balavi

Space is a central element in shaping dramatic structure within performing arts, its essence often defined by the movements unfolding within it. Space expands or contracts in response to the rhythm of fast or slow actions, acquiring varied symbolic meanings that reflect a scene’s dynamics. These movements—mechanical, performative, or vocal—infuse space with dramatic dimensions, shaping both the scene’s atmosphere and its semantic layers. In poetry, the interplay of space and dramatic movement generates dynamic imagery that embodies the poet’s vision. Here, space transcends mere geographical or emotional description, evolving into a fluid realm where poetic elements—characters, objects, and natural phenomena—interact, injecting vitality into the text. This underscores the necessity of semiotic analysis to decode the spatial and kinetic dimensions of poetry. Ali Kanaan’s poetry uniquely exemplifies the fusion of space and movement, rendering his works a compelling subject for study. This research employs a descriptive-analytical approach to examine Kanaan’s texts, focusing on dramatic movement, spatial expansion, and cubist imagery. By integrating close textual analysis with critical interpretation, the study highlights the distinctiveness of Kanaan’s poetic vision and his innovative contributions to modern Arabic poetry through hybrid artistic techniques. Key findings reveal his ability to dramatize space via movement, utilizing titles and cubist visuals that intertwine with spatial contexts. Furthermore, Kanaan harnesses natural elements—sky, earth, trees, and animals—to stretch spatial boundaries, enriching his poetry with kinetic and visual depth.