December 6, 2025
Rasoul Balavi

Rasoul Balavi

Academic Rank: Professor
Address: https://scholar.google.com/citations?user=yIe8KJ8AAAAJ&hl=en
Degree: Ph.D in Arabic language and literature
Phone: 09166230498
Faculty:

Research

Title Study of Conceptual Metaphor in the Poetries by Saadi Yousef and Ahmad Shamloo Based on Cognitive Semantics
Type Article
Keywords
معناشناسي شناختي استعارۀ مفهومي طرحواره هاي تصويري سعدي يوسف احمد شاملو cognitive semantics conceptual metaphor image schemas Saadi Yusuf Ahmed Shamlou
Journal کاوش نامه ادبیات تطبیقی (مطالعات تطبیقی عربی - فارسی)
DOI 10.22126/jccl.2024.9128.2495
Researchers Abbas Najafi (First researcher) , Khodadad Bahri (Second researcher) , Rasoul Balavi (Third researcher) , Seyyed Heydar Shirazi (Fourth researcher)

Abstract

Metaphor, being addressed either as a decorative element or as a cognitive process, has attracted the researchers' attention for a long time. According to the findings of cognitive linguistics, humans create and store fundamental conceptual constructions called image schemas in their minds so that when thinking about abstract matters by transferring these concrete constructions to language facilitate and complete the perception process. Saadi Yousef and Ahmad Shamlou have conceptualized many abstract concepts in their poems with the assistance provided by schemata. This research, descriptive-analytical method, while examining and analyzing the schemata in two selected poems of these two poets, to explain the way of thinking and, also, the foundations of their understanding of the world around them. As being indicated through the results, abstract concepts such as death, life, change, and immortality have been embodied in the form of these images and the three schemes of volume, movement, and force have been able to communicate in an organized, organic, and coherent manner with each other and in line with a certain goal. This may lead to the production of meaning and finally put the abstract concept of immortality and impact in the form of a visual tableau before the audience.