September 14, 2026
somayeh sharooni

somayeh sharooni

Academic Rank: Assistant professor
Address: Faculty of Literature and Humanities
Degree: Ph.D in Persian language and literature
Phone: 077000000
Faculty: Faculty of Humanities

Research

Title Discursive Construction of "Displacement" and "the Other" in Narratives of the Iran–Palestine War: A Case Study of the Novels The Scorched Earth by Ahmad Mahmoud and Men in the Sun by Ghassan Kanafani Based on Michel Foucault’s Concepts
Type Article
Keywords
ادبيات تطبيقي، زمين سوخته، رجال في الشمس، گفتمان، آوارگي، ديگري.
Journal پژوهش های ادبیات تطبیقی
DOI
Researchers Hossein Mohtadi (First researcher) , somayeh sharooni (Second researcher)

Abstract

In this research, utilizing a library-based method and employing a descriptive, analytical, as well as comparative approach, the novels The Scorched Earth by Ahmad Mahmoud (1931–2002) and Men in the Sun by Ghassan Kanafani (1936–1972) are examined as two key works in the resistance literature of Iran and Palestine. The aim is to analyze and investigate how power functions in constructing the discourse of war and displacement within two different cultural contexts. Overall, this study seeks to examine the similarities and differences between these two works in expressing concepts such as power, resistance, displacement, and the Other. Accordingly, an effort is made to demonstrate how the discourse of war reflects the subject of displacement and the Other in these two works. Based on this, the theories of the prominent French sociologist Michel Foucault (1926–1984) concerning issues such as war and power, domination and subjugation, the theory of sovereignty, and related concepts were identified as an appropriate framework for analyzing these works.The results of the research indicate that despite geographical differences, the distinct nature of colonialism in the two lands, and clear differences in content, based on Foucault's theories, both works reflect a similar logic of modern power that governs the life and death of subjects. In both works, according to Foucault, power constructs the subject, and the characters are shaped by discourses of power.