April 16, 2025
Persian Gulf University
فارسی
Hossein Mohtadi
Academic Rank:
Associate professor
Address:
—
Degree:
Ph.D in Arabic language and literature
Phone:
07731222346
Faculty:
Faculty of Humanities
E-mail:
mohtadi [at] pgu [dot] ac [dot] ir
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Title
A Study of the Linguistic features of Rousha Dakhaz’s The Remnants based on Roman Jakobson’s Linguistic Theory
Type
Article
Keywords
السردانية العربيّة، الوظائف اللغوية، جاكوبسون، روشا داخاز، رواية "بقايا"
Journal
دراسات فی السردانیة العربیة
DOI
—
Researchers
Zeinab Mayyahi (First researcher)
,
Seyyed Heydar Shirazi (Second researcher)
,
Rasoul Balavi (Third researcher)
,
Hossein Mohtadi (Fourth researcher)
,
Ali Khezri (Fifth researcher)
,
Mohammad Javad Pourabed (Not in first six researchers)
Abstract
The language communication theory has recently achieved a significant foothold in critical studies. Roman Jakobson, a member of Prague school, has propounded influential linguistic “functions” and “factors” to examine poetic texts particularly. According to him, effective verbal communication should have the following factors: (1) context, (2) addresser (sender), (3) addressee (receiver), (4) contact, (5) common code, and (6) message. He has also proposed six distinct functions of language: referential, poetic, emotive, conative, phatic, and metalingual. Literary critics and scholars have paid particular attention to the narrative and dialogue nuances of modern novels. This study draws on Jakobson’s factors and functions in order to examine Rousha Dakhaz’s The Remnants by adopting an analytical-descriptive approach and referring to the American School of Comparative Literature. It identifies that cultural, political, and social references are the most utilized linguistic functions in the novel because it revolves around the events and incidents of war and political changes. With regard to the referential function, the author uses the first-person narrator to verbalize the characters’ emotions. With regard to the emotive function, the novelist has used second-person pronouns as well as imperative and interrogative pronouns in order to engage readers. The poetic and metalingual functions are the least used ones throughout the novel.