Although the contemporary literature of Afghanistan has not found a propper opportunity for development due to rulers’ wrong politics, durable conflicts, placing and changing the states and other factors. Nevertheless it has been created regarding constancy, nobility writings, in both parts poem and novel in this period. The first establishment change in Nawi Nemayee poem was
founded in the time of Amir Habibullah Khan (1279) In this time Afghanistan was away from external and civil war, so a perfect chance was appeared for gaining literal and scientific
movement in Afghanistan. The formal beginning of Paidari poem up to 1357 and the coup which was happened in this country During these years the poets gravitated in making resistive
poem in various formats in the country.
One of the fashions which has been attracted in Afghanistan modern poetic space and Paidari tropism is Nemayee fashion. Among Afghan Nemayee composers who have shown their interest to resistance case the names of two favorite poets are available: Abdul Qahar Aasi and Laila Sarahat Roshani. For the sake of checking the condition of Nawi Nemayee poem in Afghanistan the poems of these two poets have been considered in this thesis, Aasi is in the group of political- social poets of resistance front and Laila Sarahat Roshani is one of the famous women who has chosen resistance style in the ring of poem and has a lot of anxiety regarding public and political issues. Despite of having disagreement in vision, style, language, imagination and poetic sentiment these two poets show immanent feature from Nemayee resistance poem in Afghanistan. Also by looking at these poets’ poem without studying Iran modern literature affection to Afghanistan poem space we can realize the balance of Nemayee format in explanation of misfortune related to constancy and the position and acceptance of Nawi Nemayee format poem in Afghanistan contemporary literature and reflection of political-social situation in this period as well