The image is one of the elements that the poet indirectly uses to express concepts. The poet uses imagination to create images. These imaginary images are often accompanied by emotional backgrounds in order to have the necessary impact on the audience. One of the purposes of Arabic poetry is mourning or oath. One of the most important motivations of the poet for this poetic purpose is to express grief over the loss of a loved one and to impress the audience so that he can accompany the poet in his grief and sorrow.
The aim of this dissertation is to study the court of Riyadh al-Adab in Marathi poetic verses in order to know the use of expressive images quantitatively and qualitatively and to show their capabilities in the field of poetry.
Relying on a descriptive-analytical method, this study has studied the Divan in order to show the ability of these Arab women poets in the field of art. The researcher has first studied the themes of mourning in the poetry of poets. It then identifies the origins of the images invented by the poets. In the following, he has paid attention to the aesthetics of expressive images.
Explain when the view is restored to the inheritance of the Arabic poems, because the metaphorical and metaphorical images are more frequent than the figurative and metaphorical images. It is permissible in the court not to allow the use of hands. From among the metaphors, the metaphor is explicit to the place above the metaphor of the place. From the types of irony, the irony of the adjective and the adjective is more frequent than the irony of the lineage.
The poets of the Arabs are the ones who narrate their stories, in the sight of the water, and the brothers and the men of the tribe. From the sources that test the service of the Arab woman in quoting these concepts, which are natural, and the living universe, and the solid universe, and all that is related to it.
