Abstract
Abstract
In the realm of modern comparative literature, the focus on the "Other" is a pivotal concept. It involves delving into the experiences of individuals beyond oneself, empathizing with their pains, sorrows, and joys. This entails portraying their reality encompassing victories and defeats, as well as depicting their societal, political, and wartime circumstances, along with prevailing rituals of deprivation, destruction, and ruin. This research aims to uncover the authentic depiction of Afghans that the poet conveyed in his Jihadthemed epic, employing a descriptive-analytical methodology. Among its key focal points are the portrayal of wars, blood-stained homes, images of children, heroes, places, and martyrs. The most significant conclusions drawn by the researcher include the fact that the poet presented genuine images of misery, sorrow, and deprivation in his poetry. His poetic creations were devoid of biases as he highlighted the glories of various regions within Afghanistan, fostering unity among diverse ethnic groups. He called upon the mujahideen to unite and avoid disagreements in both thought and action. He also delved into children's literature, articulating their inquiries and thoughts, and he never abandoned the heroic achievements of the Afghan people, underscoring the importuned of martyrs and their scarified in the pursuit of liberation.