رسول بلاوی

Ecofeminism is regarded as a new approach to critique, especially to women's literary studies, but has not yet managed to attract the attention of critics. Although a long time had come from the introduction of biomedical theory to feminist research, it nevertheless managed to consolidate and strengthen its foundations, between dissidents and advocates, by naming it "ecofeminism." The term embraced both the flow of feminism and ecosystem, and called for the common connection and the unity of women and nature with the patriarchal society. Therefore, the reflection of this new flow was reflected in the literary achievements of the poets, and among these poets one can refer to the Lebanese poet Nariman Alloush. The purpose of this research, according to the descriptive-analytical approach and through the study of poetic models found in the poet's offices, is to address a newly developed branch in feminist literature and to address the differences and denominations between nature and women and, more importantly, to condemn the exploiting man of both, and thus deter the insult towards women and nature. The aim is to derive the main idea that the poet Nariman Alloush seeks to convey through the allocation of her poetry to the elements of nature.We also discussed in this research axes representing ecofemism in the poetry of Nariman, which we have the position of the poet on the ground and plants and birds in their positive and negative forms. At the conclusion of the research we have reached some results pointing out some of them: After examining the poems of the poet Nariman Alloush, it became clear to us that her poetic texts had a modern dye that represented ecofimism. The poet's attitude towards the earth and the soil was remarkable and the main focus that the poet attempted to highlight was the image of the earth and the soil, and she was dressed in a negative spirit indicating the existence of the marginalized woman. Her joining of ecologists interested in the enviro