Rasoul Balavi

Scenography is a very valuable literary term, which deserves research and study. Because the literary text analyzes from two aspects: formal and spiritual, relying on the pains of external structure, and poetic components and literary texts. Among these elements, we can mention the elements of Scenography and the extraction of scientific concepts by using refractive images and indexes that are contrary to reality. Each of which describes and interprets the reality within the human being through visible and explicit and implicit images contrary to known principles and rules. It also transforms the original image and reconstructs it into a different and new image and profile. Ali Kanaan is one of the poets whose poems are mixed with new poetic techniques that are full of overt and covert scenograohic indexes to avoid old and familiar concepts. He enriched his literary genre with new poetic techniques and with solid words, precise thought and purposeful images. This research seeks to answer the following questions: What new techniques has Ali Kanaan used to create images that are contrary to reality? What are the features and characteristics of cinematography in the poetry of Ali Kanaan? The purpose of this research is to search Ali Kanaan's poetic texts by emphasizing the scenograohic elements in the lab of his poems, and by referring to the descriptive-analytical research method. This research will cover all the concepts and topics related to Scenography. And its main axes are limited to the preparation of the framework of the poem, and the visual effects, and the decor, and the lighting, and the color, and the movement, and the transformation, and the negative images.