Imagination is the main essence of poetry and a constant element of poetry, and it is something that is obtained from the power of imagination. Imagination is the criterion, value and artistic validity of poetry. In none of the literary works of the past centuries is there any work in the critique of rhetoric on the importance of imaginary forms. The collection of images resulting from various imaginary forms (metaphor, simile, metaphor, irony) in the divan of each poet expresses the moments that deal with his inner world. Saeed Biabanki is one of the poets who has a brilliant face in the literature of recent decades in Iran, which has a remarkable element of imagination in his poems. This essay examines Saeed Biabanki's poems in his four poetry books (Kofi, Sangchin, Jamehdaran and Sakteh Malih) in terms of imaginary forms (metaphor, simile, metaphor and irony). In addition, using arrays known as literary ornaments, Biabanki has portrayed beautiful effects of Iranian poetry in recent decades.
In four chapters, this dissertation examines the forms of imagination and literary ornaments in Saeed Biabanki's poetry. Thus, in the first chapter, the generalities of the research are presented. In the second chapter, the theoretical foundations are discussed. In the third chapter, a study of Biyabanki's life and literary style has been done. In the fourth chapter, which is the main part of the research, the forms of imagination in each of the poems of this poet have been studied and analyzed, and finally in the fifth chapter, the results are presented and the suggestions and limitations of the work are mentioned. The research method is descriptive-analytical with statistics.