علی خضری

From the very beginning, Cinema has embraced all the literary discourses; from them is the poetry discourse. This dynamic status is reversible. The modern poetry is invaded the arts such as the formative art, the cinema art and its means of expression Such as the camera that explores the narratives of the film narrative with its movements and angles, and especially montage. And, because the montage plays a significant role in developing the structure of the modern ode, we tried here to focus on the montage style of the modern ode which is based on the cinema montage and its rules. In this way the modern poet cuts and attaches the figures of a part of a poem and connects the continuous figures to express a special idea just like a montage movie. One of these modern poets is Adnan Al-Saeq whom his poems are constructed like a movie showing the bad accidents happens in his country to put the reader in a real scene. This descriptive analytic study tries to reveal the fact of using cinema means, especially montage, and closing it in some of Al-Saeq poems. And Especially the writing of the camera and its techniques in the poems of al-Sayegh poem, and the result of these The study is based on the poet's investment of the visual and moving image in the texts. The camera and its microprocessor technology will drive the reader out of the picture, The lyrical rigidity towards motion and different sighting sites that include, Low, high and neutral angles. The location of the camera with its movements, the horizontal and vertical types of angles associated with the poetic texts stand out, a special feeling in the spectator as a sense of movement and superstition and confusion. At the end, we concluded that the poet used the montage style to change the poetic picture to spectacular picture and to express his idea to the reader through this. Too, this montage helps to develop the shallow face of the poem to a perfect and great face and to move from point to another using the conti