Stylistics has a prominent position in linguistic and critical research and has attracted the attention of an increasing number of researchers in theoretical and practical fields; Because stylistic studies as a language study whose topic is style and conditions of that topic has expanded significantly. But the theme is the general idea or dominant message in the text or literary work, which can also be examined through thematic criticism.Wadī‛ Sa‛ādah and Hafez Mousavi are considered modernist poets of Arabic and Persian literature in terms of their prose creations that match their feelings and thoughts. These two poets create poems that contain artistic structures through which they highlight their creative energy and convey their experiences with the intention of influencing the reader. From this point of view, we have decided to deal with the stylistics of the two poets' texts and their themes through this treatise, and that is to examine the secrets of creativity and the intellectual foundations on which their poems were formed.
The basic approach in this dissertation is a comparative one based on the American school; Because we want to examine the poems of two contemporary poets belonging to Arabic and Persian literature, which are similar in terms of style and theme, regardless of any influence.This study showed that Saadeh and Mousavi's poems tend towards imaginary and evocative images in order to create innovation and defamiliarization in creating poetic discourse. Therefore, they rely on a method that sometimes provides the space to forget the facts and travel in the world of dreams. The poetic images of their poems are a mixture of rhetorical achievements, i.e. simile, metaphor, paradox, epithet and novel techniques. These two poets try to fascinate more readers by using simple language to express their literary intentions by avoiding complex and mythological symbols. The use of meaningful words in the poems of these two poets is consistent with their inte