Abstract
Signs are considered among the most important linguistic mechanisms in pragmatics analysis, as they belong to the field of pragmatics. This is because they are directly concerned with the relationship between the structure of languages and the context in which they are used. They are linguistic elements whose meaning requires knowledge of the contextual elements surrounding the process of pronunciation. Signs are the internal links that connect text units and achieve its coherence and harmony, as well as linking it to its external world. Therefore, studying the signifying dimension of the linguistic sign represents part of the purposes of discourse. The sign in: I, you, here, is understood in its external context and is only achieved through use. The aim of this research is to monitor the most prominent creative techniques that lead to the recipient's interaction in the communication process, and how they are employed in Saeed Al-Saqlawi's poetry, and the extent of his success in this process, as he loaded the text with fertile semantic loads with the aim of conveying the idea to the recipient. One of the most important results of this research is that the allusions in Al-Saqlawi’s poems were linked to his intentions and his communicative and communicative contexts, and are considered among the most important communicative mechanisms that imposed themselves on the poet with the aim of influence and persuasion, as he used them to direct his speech and achieve his allusive goals. The repeated pronouns in Al-Saqlawi's poems constitute a prominent epic that the reader cannot ignore, as the poet wanted to demonstrate the value of the repetition within the context in which it appeared