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Abstract
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We hear the "Praise and greeting to God" in the Islamic societies. Also it plays a main role in every day communication. The main point in this study is how to find singular and social interactions among muslims. This study is a stylistic study of the " peace be upon Mohammed" expression in Alsajjadyeh booklet and especially from 4 levels:
Phonological, morphological, syntactic, and implicational. Phonologically the study worked on the "Praise and greeting to God" expression based on the sounds in it and on vocal sounds and all the divisions related, pronunciation of letters and the characteristics and the rythm and intonation, and varieties, tasks, effect on expressing different meanings. The approach in this study is a descriptive analytical and a statistical one to reach subjective conclusions by counting the letters and words and phrases in Alsajadie booklet.
We concluded that in the phonological level all the sounds in "Praise and greeting to God" are loud and most of the long parts are related to acceptance of the prayers. Also, the circuit of the letters plays a significant role in definition the meaning. The study also concluded that the prayer inclined to use rythm and music express his feelings and the stress on the word Mohammed is mostly used by muslims. The tasks of nouns and verbs in some forms are studied and it concluded that the affirmative form is used too much. In the implicational level we studied
request, proscription, rhyme, paranomasia, and exclamation. So, the study found out the aesthetics of the "Praise and greeting to God" and the secrets of its repetition and extracting the relationships between it and the praying text. Also, the effect of this expression on the call of demands and forgiveness and acceptance of demands are reached. All this would not be true unless the belief in the expression " peace be upon Mohammed ".
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