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Abstract
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From the very beginning, Cinema has embraced all the literary discourses; from them is the poetry discourse. This dynamic status is reversible. The modern poetry is invaded the arts such as the formative art, the cinema art and its means of expression like camera, scenario and especially montage. So, the montage ode is originated from the seventh art and poetry together. And, because the montage plays a significant role in developing the structure of the modern ode, we tried here to focus on the montage style of the modern ode which is based on the cinema montage and its rules. In this way the modern poet cuts and attaches the figures of a part of a poem and connects the continuous figures to express a special idea just like a montage movie. By this, the poet develops his text and makes the reader a real spectator. One of these modern poets is Adnan Al-Saeq whom his poems are constructed like a movie showing the bad accidents happens in his country to put the reader in a real scene. This descriptive analytic study tries to reveal the fact of using cinema means, We have chosen the montage technique because of its role and efficiency in the poetic text. We have also approached and artistically analyzed the cinematic montage in a few poems to Al-Saigh, and that shows the poet’s skill and his accord to this technique. At the end, we concluded that the poet used the montage style to change the poetic picture to spectacular picture and to express his idea to the reader through this. Too, this montage helps to develop the shallow face of the poem to a perfect and great face and to move from point to another using the continuous and cut pieces.
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