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Abstract
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The call to heritage is one of the most prominent techniques adopted by poets in their poems, to give them the power of the intellectual and intellectual load and the momentum of the subconscious is not hidden on the recipient, because the features of heritage recalled in the texts often have in mind and conscience reflective poetic implications, impose on the reader a kind of identification with them, including Represented by his consciousness and individual and collective consciousness of strong presence and influence. The contemporary Iraqi poet AbdulSada al-Basri tried to make the heritage an aesthetic tool serving the poetic theme, and perform an aesthetic function that helps to enrich the connotations. There are many sources of heritage in the poetry of Abdul-Sada has had a significant impact on these sources in deepening his experience of poetry, and the richness of his expressive tools. This study, which we adopted in its descriptive-analytical approach, monitors the recall of the heritage and its connotations in the experience of the poet Abdul Sada al-Basri.
The poet called on the Arab heritage and stressed the Iraqi heritage, including the heritage of Basra and the rural monuments in it. The heritage sites are widely repelled in its poetic productions, such as mud houses, the city and village names of Basra and its heritage figures. The Palm Palm and its accessories, such as the moisture of the palm and the taste of palms and the palm of the intestines severely in the imagination of the poet as a symbol and immortal teacher of the features of Basra, and does not miss to employ popular vocabulary in the streets of Basra and rural songs of major artists. We have found some rural neighborhoods such as Zubair, Abu al-Khasayb, Tanumah, Faw, Qurnah and Umm Qasr, and some popular beliefs such as water spray behind the traveler and camouflage. Abdul Basada al-Basri found in the heritage a fertile field to express his ideas and visions, and thus approached the rec
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