To investigate and analyze novels and fiction, a single or one-sided method and approach is usually used. It is an approach that analyzes the structure and form and external elements of the work and their relationship, and ignores their semantic implications such as formalist or structuralist approaches. Therefore, many of the sociological and psychological values of the literary work and even its aesthetics are ignored and omitted. Thus, this study aims to achieve this purpose by a combined method. Therefore, we chose one of the most prominent novels of the twentieth century in the Arab world, "Al-zaman al-Mouhesh" by the Syrian writer Haidar Haidar.
According to the above, this research faces two basic and key issues, one at the level of research sample and the other at the level of methodology. Especially since the selected sample of the present study contains different semantic implications due to its stream of consciousness style, which a single formalist method for understanding and analyzing is not sufficient. Therefore, in this study, with the help of two descriptive-analytical and community-psychological methods, we intend to achieve this goal. It is obvious that the descriptive-analytical method considers most of the formal and structural aspects of the work and socio-psychological method discusses its semantic aspects. Important results of this research can be mentioned as follows: structure and implication in the artistic construction of the novel "Al-zaman al-Mouhesh"are interconnected, as in modern style and stream of consciousness and in its artistic defamiliarization, including polyphony of angle of view and dialectical and rotational time, and the paradoxical is evident in its parallels and entanglements. Furthermore, the modern style of this novel is reflected in its goals, themes and meanings, including the dialectic of tradition and modernity, and the crisis and challenge of the Arab world societies, which are manifested in the characters of the
