خداداد بحری

Natural features implemented in the artistic image are composed of color, voice, and motion, among which motion image possesses a surpassing and sublime position. This is due to the fact that motion image is one of the expressive and life-giving elements of the image. Therefore, motion images in the written works (verse and prose) portray the meaning lively in accordance with their vigorous function. Regarding the dominance of motion in details and components of the image, this has a great role in giving vitality and heartiness to the image and influences the interlocutor. The present study has investigated the moving images in the first ten juz' of holy Quran through the analytic-descriptive methods using statistical procedures. This study addresses the importance of motion and its impacts on the enrichment of direct and eloquent images in Quran's verses in order to find out its covert grace. This is due to the fact that Quran verses are full of artistic images implying motion, which provides a concrete tone for the interlocutor. Hence, it is the uppermost literary pattern which poets and critics can benefit from its adorable style to create artistic work and criticize. The present study investigated seven kinds of motion which have been pictured in Quran's verses in different direct and eloquent ways containing: horizontal motion, fast, slow, ascending, descending, rotational, and to-and-fro. The second chapter of the study investigates the direct images and the third chapter is devoted to eloquent images (comparison, trope, and metonymy). The results of the present study indicate that artistic images are the most important elements of grace in artistic work and more motion and vitality in the image would increase to its grace and influence. Quran's verses would lead to more motion and vitality of the images by using sensory comparisons. Verbs and names implying the motion used in direct and eloquent images create absorbing and impressive images. The holy Quran be