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چکیده
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In poetry,color is an indispensable part of artistic portraiture; and every poet has their own unigue experience to discover their esoteric world. The contemporary Iraqi poet, Adeeb Kamal Ad-Deen, has come up with a special experience inutilizing the colors. Investigating color implications in various divans, such as "I Say the Letter and I Mean My Fingers", "The Letter and the Crow", "Positions of the Letter A", "Sings of the Letter A", "Last Dance of the Letter" , lead us to exhaust the color element sowidely and specifically, in order to discover this vagued and complicated world. The poet not brequently makes use of color to allude apparent implications; however, more often than not color is used by the poet to hint hidden allusions; perception of which would be really impossible without enough contemplation of their poetic tenture.
This survey would be incredibly noticeable, due to investigation of the profundity of words, used to imply color in such a collection of the poems. In this regard, this study is entirely new and to reach the depth of poet?s thoughts, discovery of such allogorical implications is critically essential.
In the first chapter, this research attempts to exhaust Adeeb Kamal Ad-Deen?s life and reasons behind the formation of this poems. Also, in the second and third chapter, this study considers his attitude toward various colors like black, white, blue, yellow, red and green, directly and indirectly, as well as the implications of utilizing such colors, using aualytical, analytical, statistical methods, respectively, finally, in the forth chapter, the methods which have been utilized in hispoems, in which color are included, would be considered widely. In this study, we come to this conclusion that the color black stands the first place; this color, in poet?s point of view, is the sign of death, fear, pessimism, sorrow and despare; the color white stands for the implications, suchas light, calmness, happiness, fear, death, homesick, sorrow,
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